From 18 to 19 Sept. 2010, workshop participants guided by nine cutartists from Tehran, Isfahan, Bandar Abbas and Yazd turned a gallery space into a subjective one: that of Marmeladov, a pratagonist of Dostoevsky’s Crime and Punishment. The gallery walls served as the pratagonist’s skull, the installation as his mental construction guiding viewers through the same mental procedure that he experiences and narrates in the second chapter of Dostoevsky’s masterpiece.

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